https://phasevoid.com/2026-10-25 https://phasevoid.com/scenes/2026-10-25 https://phasevoid.com/embed/2026-10-25 https://phasevoid.com/connect/mcp/2026-10-25 https://phasevoid.com/journal/2026-10-15 https://phasevoid.com/journal/techno-vj-set/2026-10-15 https://phasevoid.com/journal/visual-set-contrast/2026-10-14 https://phasevoid.com/journal/one-projector-stage-design/2026-10-15 https://phasevoid.com/journal/audio-reactive-scene-selection/2026-10-14 https://phasevoid.com/journal/portrait-visual-composition/2026-10-14 https://phasevoid.com/compare/2026-10-25 https://phasevoid.com/guides/music-visualizer/2026-10-25https://phasevoid.com/media/examples/mp3-interference-poster.webpMP3-driven Interference visualizer exportA local 160 BPM MP3 drives the Interference scene in a browser-recorded video with stereo sound.https://phasevoid.com/media/examples/mp3-interference-160bpm.mp4 https://phasevoid.com/guides/live-visuals/2026-10-25https://phasevoid.com/examples/beat-loops/poster.webpIndependent beat-loop geometry on two mapped surfacesActual 960 by 540 Studio file render: Chrome knot uses a two-beat Triangle loop; Spectral organ uses a four-beat Sine with quarter-cycle offset and High-linked RGB split. Track sync is aligned at 160 BPM. The three-second film independently decodes 90 pictures and stereo audio. Matching baseline settings differ only in clock routes; decoded soundtrack samples are exactly equal. Physical venue timing is not measured.https://phasevoid.com/examples/beat-loops/performance.webmhttps://phasevoid.com/examples/audio-links/poster.webpDifferent audio bands drive two independently mapped effectsActual 960 by 540 browser file render connects Bass to left-surface Kaleidoscope and High to right-surface RGB split using original test audio. The three-second film independently decodes 90 pictures and stereo audio. Matching manual/world/map settings differ only in audio links; compared decoded audio is exactly equal. Physical venue timing is not measured.https://phasevoid.com/examples/audio-links/performance.webmhttps://phasevoid.com/examples/act-packs/output.pngFour imported complete acts in a receiving showA real local Studio VP9/Opus output performs four imported acts from Now after clipboard-to-file pack transfer, current-surface binding, original-file reattachment and Prepare show. The receiving show keeps its original act and calibration. The saved encoder result was reopened through the native file chooser and independently decoded: 293 distinct pictures at 960 by 540, with separate original stereo audio and Studio speakers off. This is output footage, not a recording of import clicks or a physical synchronization test.https://phasevoid.com/examples/act-packs/performance.webmhttps://phasevoid.com/examples/act-editor/output.pngRevised complete Drop after local act editing and recoveryA downloaded and reopened 960 by 540 VP9/Opus Studio take performs the revised Drop after session recovery, original-file reattachment, Prepare show and an explicit Now launch. It combines two muted clip layers with a revised procedural world, Program rack and surface crop/FX, plus separate original stereo audio while speaker monitoring is off. It contains 290 distinct decoded pictures. This shows the performed output, not every editor click; physical synchronization and endurance remain unverified.https://phasevoid.com/examples/act-editor/performance.webmhttps://phasevoid.com/examples/media-library/output.pngRecovered local media set with complete cue actsA real 960 by 540 Studio take follows session reopening, validated original-file reattachment and Prepare show. It performs captured acts with original 160 BPM stereo audio while Studio speaker monitoring is off. The downloaded and reopened WebM contains 290 distinct decoded pictures. The recording shows the recovered performance rather than every recovery click; physical synchronization and endurance remain unverified.https://phasevoid.com/examples/media-library/performance.webmhttps://phasevoid.com/examples/cue-performance/output.pngWhole-cue next-bar pad rehearsalA real 960 by 540 Studio take performs non-sequential whole-cue pad requests on a manual 160 BPM grid with two original loops, Program effects, mapping and original test audio. The downloaded and reopened VP9/Opus file has 279 video packets and a 70 ms largest packet gap. Physical synchronization and endurance are unverified.https://phasevoid.com/examples/cue-performance/performance.webmhttps://phasevoid.com/examples/clip-show/poster.webpFour-act complete clip and effects VJ showA real 960 by 540 Studio recording changes two original video layers, their order and Program effects across four acts with original 160 BPM stereo audio. The decoded file contains 294 frames. This short browser rehearsal is not a physical projector or endurance test.https://phasevoid.com/examples/clip-show/performance.webmhttps://phasevoid.com/media/examples/mapped-show-performance.pngThree-surface mapped transitions and A/B showA 1280 by 720 Studio recording performs Dissolve, Wipe, Dip and mapped A/B with original 160 BPM stereo audio. The decoded original contains 300 video frames; it is a short browser check, not a physical projector test.https://phasevoid.com/media/examples/mapped-show-performance.webmhttps://phasevoid.com/media/examples/live-interference-poster.webpShared-tab audio Interference visualizer recordingCaptured audio from a separate tab drives Interference, the projector window and a browser recording with stereo sound.https://phasevoid.com/media/examples/live-interference-160bpm.mp4https://phasevoid.com/media/examples/live-mix-poster.webpRave laser and Interference A/B live mix recordingA first-party PHASE//VOID Studio recording blends two moving procedural worlds with a picture crossfader while an original 160 BPM stereo WAV plays.https://phasevoid.com/media/examples/live-mix-laser-interference-160bpm.webmhttps://phasevoid.com/media/examples/clip-deck-output.pngThree-layer Clip Deck and output effects recordingA first-party PHASE//VOID Studio capture combines Ferro bloom, two original local video loops and final composition effects with a separate 160 BPM stereo WAV.https://phasevoid.com/media/examples/clip-deck-output.webm https://phasevoid.com/guides/youtube-visualizer/2026-10-25https://phasevoid.com/examples/timed-text/poster.webpTwo timed text lines keep their source time in a trimmed filmActual 1.74.0 Studio export takes original WAV seconds 4–8 into a 960 by 540 film: 120 decoded pictures at 30 fps and an audio stream. Decoded film frames at 0.5 and 2.5 seconds show the respective lines. The small Opus tail makes the container 4.02 seconds. This is one bounded browser example, not physical-projector or universal device synchronization evidence.https://phasevoid.com/examples/timed-text/performance.webmhttps://phasevoid.com/examples/file-render/output.pngFour complete acts rendered from a local soundtrack, frame by frameActual Studio file render performs four complete acts with both original loops, Program FX and two independently mapped surfaces. A 12-second video timeline submits and independently decodes 360 distinct pictures despite approximately 26 seconds of processing under a 6x CPU throttle. The Opus container includes a small audio tail; this is not a physical synchronization verdict.https://phasevoid.com/examples/file-render/performance.webmhttps://phasevoid.com/media/examples/solar-flare-16x9.pngSolar flare music visualizer WebM exportThe original 12-second browser WebM export pairs Solar flare visuals with stereo audio from a local 160 BPM test WAV.https://phasevoid.com/media/examples/solar-flare-12s-160bpm.webm https://phasevoid.com/privacy/2026-10-25 https://phasevoid.com/guides/2026-10-25 https://phasevoid.com/guides/aspect-ratios/2026-10-25https://phasevoid.com/media/examples/interference-9x16-poster.webp9:16 Interference music visualizer recordingA 1080 by 1920 browser recording of Interference, shown as a 720 by 1280 MP4 with stereo audio from an original 160 BPM WAV.https://phasevoid.com/media/examples/interference-9x16-720-160bpm.mp4https://phasevoid.com/media/examples/interference-1x1-poster.webp1:1 Interference music visualizer recordingA 1080 by 1080 browser recording of Interference, shown as a 720 by 720 MP4 with stereo audio from an original 160 BPM WAV.https://phasevoid.com/media/examples/interference-1x1-720-160bpm.mp4 https://phasevoid.com/guides/troubleshooting/2026-10-25 https://phasevoid.com/about/2026-10-25 https://phasevoid.com/guides/techno-visualizer/2026-10-15https://phasevoid.com/media/examples/techno-interference-poster.webpInterference techno visualizer recordingInterference pulls nested light contours into offset voids and reconnects them to an original 160 BPM WAV.https://phasevoid.com/media/examples/techno-interference-160bpm.mp4https://phasevoid.com/media/examples/techno-solar-flare-poster.webpSolar flare techno visualizer recordingSolar flare turns orange charged arcs into hooks and crossing currents to an original 160 BPM WAV.https://phasevoid.com/media/examples/techno-solar-flare-160bpm.mp4https://phasevoid.com/media/examples/pressure-pack-poster.pngTwelve-world Pressure pack cue performanceA first-party PHASE//VOID Studio recording performs twelve original procedural worlds as copied manual cues with an original 160 BPM stereo WAV.https://phasevoid.com/media/examples/pressure-pack-160bpm.webm https://phasevoid.com/watch/signal-rupture/2026-09-26https://phasevoid.com/media/examples/techno-signal-rupture-poster.webpSignal rupture techno visualizer recordingSignal rupture folds luminous filaments around changing black apertures while an original 160 BPM WAV plays.https://phasevoid.com/media/examples/techno-signal-rupture-160bpm.mp4 https://phasevoid.com/custom-visuals/2026-10-25 https://phasevoid.com/updates/2026-10-25 https://phasevoid.com/tools/bpm-detector/2026-10-25 https://phasevoid.com/guides/audio-spectrum-visualizer/2026-10-25https://phasevoid.com/examples/audio-spectrum/bars.webpFrequency spectrum with title over a visual worldActual 960 by 540 Studio file render combines the existing procedural world, current audio spectrum layer and title with original 160 BPM test audio. The three-second passage submits and independently decodes 90 frames. This is local browser output, not a design mockup, artist performance or physical projector timing measurement.https://phasevoid.com/examples/audio-spectrum/bars.webmhttps://phasevoid.com/examples/audio-spectrum/ring.webpRadial audio spectrum in a portrait music videoActual 540 by 960 Studio file render combines the existing procedural world, current audio spectrum layer and title with original 160 BPM test audio. The three-second passage submits and independently decodes 90 frames. This is local browser output, not a design mockup, artist performance or physical projector timing measurement.https://phasevoid.com/examples/audio-spectrum/ring.webmhttps://phasevoid.com/examples/audio-spectrum/scope.webpActual time-domain waveform in a square music videoActual 540 by 540 Studio file render combines the existing procedural world, current audio spectrum layer and title with original 160 BPM test audio. The three-second passage submits and independently decodes 90 frames. This is local browser output, not a design mockup, artist performance or physical projector timing measurement.https://phasevoid.com/examples/audio-spectrum/scope.webm https://phasevoid.com/guides/projection-mapping/2026-10-25