Give your ideas
a visual world.

Call list_show_starters with {}, then use a procedural record’s plan with plan_mapped_show. The latter’s input schema is unchanged. In the show library, three creative recipes and the fixed original clip kit are four distinct choices. Edit the procedural show in the central composer, review in Studio, press Load planned show, then Prepare show, start audio deliberately and Run. Undo planned show restores replaced settings in this tab until reload; own media needs reattaching. The clip kit uses its separate Load complete clip show action. Static scene references and one-world Preview are not full-show or physical-projector previews.

Studio combines 108 procedural worlds with two muted local video layers, a 12-clip library and a final Kaleidoscope → Pixelation → RGB split rack. Use off-air Preview, a picture crossfader, up to 32 copied show cues and optional browser-permitted MIDI control. Open performance pads plays eight cues per bank with Now, Next beat, Next bar or Every 4 bars on a manually aligned 4/4 clock. Incoming clips prepare paused off air; a missed boundary waits for a future one. The final Program monitor copies mapped output at up to 10 fps; it does not create a second render feed. This connection cannot press pads or operate a private show. Projector and real-time recording receive the same final image; video files and a separate MP3/WAV or live audio input remain in your browser.

Explore 36 new worlds ↗; the same IDs are available through list_scenes and get_scene.

Pressure pack · 12 worlds ↗ remains the same group shown in its recorded cue example.

Studio stars and the Favorites filter keep a shortlist. Up to twelve named Set banks group world IDs, with separate Export banks / Import banks JSON for transferring banks and favorites. These lists stay in browser storage, are separate from sessions and do not store media or tuned looks. Import replaces the lists without changing Program or Preview. The read-only MCP endpoint cannot read or change them. Follow the scene-bank workflow ↗.

Build and reopen a complete clip show ↗. New captured cues retain both Program clip layers, playback intent and master FX; older cues keep their behavior until explicitly enabled or copied into a draft and saved. Prepare show checks required cue files and warms the show worlds off air without changing stage, settings, map or transport. Incoming decoders still prepare on cue fire before a complete-output transition, and missing media blocks the whole cue without changing output. Restored layers stay paused until deliberate playback or cue fire. The four-cue rehearsal kit supplies source loops, session JSON, synthetic audio and a performance WebM. Program clips/master FX are applied before mapping; independent surfaces use their own FX. Manual A/B banks still use shared global clips and rack. MP4/WebM decoding and live capture depend on your browser. Single-projector mapping combines up to eight surfaces, each using Program or an independent procedural world with its own look and effects; a starter planner can propose geometry and independent worlds, and you explicitly apply, tune and calibrate them in Studio. Native plugins, DXV decoding, multi-projector routing, 3D mesh mapping, projector edge blending and independent quantized video-layer launching are unavailable. Opening a planner link does not start sound or grant input permissions.

Place changes on a soundtrack

File render offers Soundtrack entry times for a complete cue queue: edit absolute soundtrack seconds or Place here at the separate PCM preview playhead. Each entry starts the incoming transition on the nearest film frame; the first act stays at passage start. Invalid order, bounds, overlapping transitions or holds shorter than 0.25 seconds block Review. A changed soundtrack, passage, FPS or show requires an explicit reset of retained entries. Preview windows can start later in the file and decode at most 60 seconds, with monitoring off by default. The selected film passage and live cues stay unchanged; no beat detection or physical sync guarantee is implied.

Soundtrack entry cue sheet. Public instructions only; MCP cannot read or edit private timings.

Fit a complete show to a soundtrack passage

File render can fit every queued act to a selected local MP3/WAV passage using editable film-only hold seconds, without changing the live queue. Coverage warnings require an explicit partial/extended-show approval. Sequence Review causally replays the first selected output at film FPS and samples later holds, transitions and the final picture; thumbnail stills do not certify motion or synchronization. The reviewed plan feeds the existing serial multi-format renderer. Manual BPM supports 30–300; fit does not detect beats, snap phrases or stretch audio.

Film-only timing and storyboard instructions. Read-only MCP cannot render or access local media.

One soundtrack. Three delivery frames.

File render can keep Current Studio frame or prepare up to three selected delivery targets: 16:9, 9:16 and 1:1, with a 540/720/1080-pixel short edge. One local MP3/WAV passage and reviewed composition supply the targets. Review checks exact encoder support and renders each target’s first-frame still; this is not a motion preview. Targets render sequentially. Cancel retains completed films; Continue missing targets processes unfinished targets without rerendering completed ones. Each result has explicit download, inspection, saved-confirmation and protected discard. Retained results share a 750 MB budget. Program settings/frame remain unchanged; playback is paused and monitoring does not start automatically.

Read the complete delivery-set workflow. Read-only MCP cannot inspect private media or perform a render.

Reproduce a Journal workshop.

Five Journal workshops connect first-party methods to exact public recipes: an eight-act techno set with authored looks and manual holds, a four-act contrast study, a three-surface one-projector composition, a catalog A/B audition and one world in landscape, portrait and square. Opening a link shows a review only. Load exercise / Undo exercise in Studio and Load A/B exercise / Undo A/B exercise in the catalog are explicit. Show exercises also provide explicit local-track rehearsal and a complete-queue film handoff. Fit and review film durations separately from live Manual holds. Sound, media selection, live permissions and rendering remain separate. These are editable browser exercises, not calibrated venue geometry, a timecoded performance or a physical synchronization guarantee.

• Suspension → Pressure → Peak → Afterimage
• Space → Pressure → Release → Return
• One focal image, two supporting wings
• Arcs & current / Metal & openings
• One world, three actual canvas shapes

Read-only MCP returns public workshop instructions and known-ID launch links only. It cannot inspect private sessions, files, selected passages or calibration, apply or undo an exercise, control playback, or certify a projector installation.

Compare worlds on your own passage.

The /scenes/ audition accepts one local MP3/WAV up to 200 MB. Search, family and collection filters cover rail and cards. Preview A/B compare two worlds sequentially on one canvas using the same chosen 0.25–60-second range within the track. Playback stops at the first callback at/after its end, without looping or sample-accurate/frame-identical guarantees. Monitoring defaults off. Favorites reuse Studio storage and preserve banks. Selected world/frame/motion and the same File continue through explicit new-tab receipt to paused Studio. Propose this passage in Studio defaults off; an included private range requires Use proposed fragment or Keep current range before Review/render. Live input and full-show soundtracks are chosen separately in Studio. Read-only MCP cannot audition private audio.

Open the catalogue audition. Private audio and Favorites stay outside this read-only MCP.

Plan a show with your own soundtrack.

A homepage procedural show can continue to Studio with the same selected local MP3/WAV. Receive selected track loads audio paused with monitoring off; Load planned show and settings-only Undo remain separate from audio. The embedded rehearsal guides Prepare show, deliberate audio/sequence starts, short recording and actual saved-file checking. Homepage Preview shows one selected world, not the whole mapped show. Setup links, saved sessions and read-only MCP exclude the File; local processing is not an offline installation or physical-performance certification.

Follow the planned-show rehearsal. MCP provides public instructions only.

Try your own track on the homepage.

The homepage accepts a local MP3/WAV up to 200 MB for a real single-world preview, with explicit Play/Pause/seek and 16:9, 9:16 or 1:1 framing. Speaker monitoring defaults off; Hear preview audio enables it deliberately. Original test WAV for a music video previews the same twelve-second test input. Continue with my track in Studio opens a new same-origin tab; Receive selected track confirms one-use receipt within 90 seconds. The same File arrives paused with monitoring off; Review/file-render stays explicit. Reload needs file selection again; blocked or expired transfer can retry or use Studio file selection. Media are not uploaded, stored persistently or included in public setup/B2B links. The lower-resolution preview is not a complete show, rendered film or offline application. Read-only MCP cannot select or transfer private audio.

Follow the local-track workflow. The MCP cannot read or transfer your private file.

Prepare one room, then operate it.

Room control has Set up room and Operate room views for one PC/projector. A local plan supplies connector launch and Loxone field instructions without collecting control/status keys. A fresh check counts successful browser acknowledgements for three modes, brightness 0/50/100, Freeze/Blackout on/off and Stop; operator confirmations stay separate. Copy handover omits network data and secrets. Loxone selects captured procedural worlds/looks and surface visuals/FX through a local Node 22+ connector and native Program 16 logic. Current media, master FX, frame and calibration stay; starters fill only empty modes. Pair/Arm is explicit and never restored by refresh. Brightness affects projector/live capture, not File render. No audio autostart, hardware certification, projector power or LED/DMX control; read-only MCP cannot operate the room.

Open Set up room · Read the installation workflow. This MCP provides public instructions; it cannot inspect private addresses, keys or checks, pair/arm a connector or control room hardware.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Prepare a file’s tempo locally.

The free MP3/WAV BPM finder analyzes an 8–60 second section locally and silently, shows ranked tempo alternatives and half/double-time choices, and transfers the selected track to Studio only after explicit receipt. Find tempo in Studio reuses the loaded file. Apply tempo changes BPM only; it does not start sound, align beat one, change playback speed or compensate physical latency. No file, waveform, filename or tempo-analysis result is uploaded or cached by this tool. MCP describes this public workflow; it cannot receive private audio, analyze a track or operate Studio. Open the human BPM finder.

Find the next real step.

search_docs searches 28 curated public task workflows. Supply a 1–180 character query, optional category and limit from 1 to 6. Categories: Audio & timing; Look & style; Projection; Video & formats; Live & media; Support. Results include exact control locations, ordered steps, limitations and existing canonical guide links. get_doc retrieves one exact result id.

For example, search for different effects on surfaces, then read surface-worlds. Studio links open a help review; no settings replacement, sound, file access or remote performance starts. This is a curated task lookup, not a full-text search of private projects. Try the same human task finder or read the request examples.

Share a tuned look with an assistant.

create_look_link accepts a known sceneId, a look object with all ten numeric controls, and a frame with integer width/height from 1 to 4096. Palette is an integer 0–5; energy and motion 0–2; detail/glow/grain/chromatic 0–1; symmetry an integer 3–12; zoom 0.5–2; rotation 0–360. Unknown or private fields are rejected.

Returns recipe, reviewUrl, guideUrl, steps and limits. The recipient reviews before applying; canvas adoption is optional and Undo respects later edits. No media or private Studio access, permissions or remote performance. Read the exact JSON example in Markdown documentation and the human Studio workflow.

Align a file’s visual pulse.

Sound → Timing & beat sync → Align file beat grid decodes a 2–32 second waveform window locally and silently. The operator places beat one, enters 30–300 BPM, inspects later windows for drift and deliberately applies BPM, file alignment and Track sync. Guarded Undo restores the earlier BPM, exact file phase and pulse source. Track sync and file-render reviews/films use the same pulse envelope at absolute soundtrack seconds, including trimmed starts and pulse delay. A different soundtrack cannot borrow the loaded file’s grid. Audio, playback, cue-grid position, mapping and delay stay separate. Alignment lasts in this tab for this file; replacement, session load and reload reset it. No changing tempo map, automatic downbeat detection, audio stretching or physical latency correction. Human instructions. MCP describes this workflow only; it cannot read private audio or operate the grid.

Compose a responsive audio layer.

Soundwave opens a free Program layer with frequency Spectrum bars, a radial Ring or an instantaneous Waveform. Choose color, position, size, response, opacity and background darkening without replacing or starting audio. The layer uses the existing MP3/WAV or supported live-input signal, sits above Program video/worlds and below titles/artwork, and reaches the composed projector and realtime recording. File-render first-frame review, causal storyboard and encoded films consume the current decoded signal with frozen layer settings at each actual output size. Local/settings-only sessions retain the layer; legacy sessions default off. Freeze/Blackout cover the complete output. Independent mapped world sources and shared procedural-look links exclude this global layer. This is not a whole-track waveform, calibrated meter, lyric generator, source separation or physical latency correction. Human workflow and actual outputs. MCP describes this public feature only; it cannot inspect media or operate Studio.

Animate effect parameters in beats.

Beat loop is a separate driver in Effects or the selected mapping surface’s Audio links & beat loops editor. Each of four targets—Kaleidoscope, Pixelation, RGB split and FX amount—can use Manual, one existing audio band, or its own beat loop. Loops have Low/High endpoints, a quarter-beat to sixteen-bar period, Cycle offset and Sine, Triangle, Ramp, Alternating or deterministic Step random shape. Reversed endpoints reverse the response. Track sync follows the loaded file’s BPM/aligned beat-one grid through seeks and trimmed renders; other sources use the existing manual BPM grid, starting at film zero for file rendering. Visual timing offset also shifts loop phase. Gentler motion makes loops four times slower. Loops do not detect beats, start audio or alter playback speed. Program/surface loops share the same clock and persist in their settings, maps, sessions and captured acts; they do not reset on each cue or surface selection. Freeze holds final output while the clock can continue. Bypass retains routing, Manual removes one route and Clear links removes every route in that editor. Public MCP describes the feature without reading or operating private Studio settings. Human workflow and output checks.

Give the operator picture room.

Stage view enlarges the operator preview by folding the tools, world library and show-sequence editor. Hide controls also folds the inspector and mapping edit handles; Show controls or an explicit Map/inspector navigation reveals it. The transport, Freeze, Blackout, Record video and Go live remain available. Back to Studio or Escape returns to the full workspace; Escape respects open dialogs, text/select editing and browser fullscreen. A draggable, keyboard-accessible divider adjusts the inspector to a bounded 260–520 px while retaining preview space. Left widens controls, Right widens preview, Shift uses larger steps, Home/End reach the bounds and Enter resets width. On narrow screens controls stack below the picture. View, visibility and preferred width persist locally under phasevoid-workspace-v1, independently of portable sessions. Reset layout restores Studio and 352 px. Layout changes do not start sound, change output pixels, render detail, normalized mapping corners or export dimensions; Stage view is not projector routing or browser fullscreen. Human workflow and dated evidence. MCP describes the public interface only.

Link each effect to the sound.

Audio links independently map Bass, Mid, High, Energy or the detected audio Transient to Kaleidoscope, Pixelation, RGB split and FX amount. Each link has Low/High endpoints, gain, a noise floor and Linear/Smooth/Punch response. Descending endpoints reverse the response. Program links sit in Effects; Mapping has separate links for the selected surface. Links follow the existing shared audio analysis without starting audio or creating another analyser. Sessions, saved compositions/cues and maps retain their respective settings; causal file rendering consumes the current decoded frame. Manual restores the rack value, Clear links removes the routing, Bypass FX disables the rack, and Reset rack also clears links. For repeating BPM-driven movement, choose the separate Beat loop driver. Audio-band mapping is relative signal mapping, not source separation, a new adjustable frequency crossover, independent attack/release timing, a calibrated meter or physical latency correction. Operational guide. MCP only describes this public workflow.